阿(ā )呆(📬)和阿瓜是(ㇷ阿(ā )呆(📬)和阿瓜是(🎩)一(yī )对非(fē(💫)i )常要好(hǎ(🅿)o )的朋友,他们觉得(dé )凭(🔉)借(jiè )自己(🏰)的(de )力量(👦)可以修理(🦎)一切(qiē ),有(🈲)(yǒu )麻烦发(fā(㊗) )生时,只要(🥐)开动脑(nǎo )筋,利用(🈚)手边的工具都(🍐)(dōu )可以(🛑)搞(gǎo )定。人(🐂)们总会被(💮)他们的(de )“错误(🥇)(wù )”行(háng )为(🧞)逗笑,觉得(🔪)他们(men )有(❇)点笨(bèn ),大(🖇)(dà )部分时间会把(bǎ )事(🛹)情搞的更(😀)(gèng )糟,但是呆(🎹)瓜兄弟(dì(👹) )总能自(zì(🍾) )己做(zuò(🍵) )的事情中(🤘)找到“自(zì(🐔) )己的路(lù )”,并(👯)对自己努(🎃)力(lì )之后(hòu )的结果(guǒ(🙏) )感到满意(🍎)。因为他(🍸)(tā )们坚(jiā(🐘)n )信一句(jù(📌) )话“伟大的创(🐦)造在(zài )最(🗂)开(kāi )始的时候也(💃)不是完美的,关(🥈)键(jiàn )的(📃)是开始的(😺)勇气”。
不管(🎩)(guǎn )这导(dǎo )演(🚚)嗑了什么(🦔)很纯的(de ),全(💬)部(bù )都(🛍)要(yào )给你(🐽)来一点!在澳(ào )洲这座(🍌)(zuò )曾经被(🦈)称作「无主(📉)(zhǔ )之地」(🧘)(Terra Nullius)的大(🈴)陆,历史(🅰)以前(qián )所(🧞)未见(jiàn )的(🌉)观(guān )点重新(🗡)诠释:当(🤮)《疯狂麦(mài )斯》末日场景(🕸)成为(wéi )难(🗞)民(mín )拘(👧)留地(dì ),食(🧘)人羊成为(🧀)反殖(zhí )民叛(🔦)(pàn )乱份子(🤭)(zǐ ),《沙漠妖姬》与(yǔ(🏨) )电视(shì )剧《请喜(🍟)欢我》有了跨时(shí(🥁) )空的(de )酷儿(🤼)对话……本(📚)片(piàn )以近(👔)似(sì )DJ取样(🤑)(yàng )混音(🍛)之拼贴手(📢)法,打开了(le )虚构(gòu )与史(🙋)实间的神(⛳)秘黑洞,大(dà(👙) )量援引电(👨)影名场景(🤙)(jǐng )与历(💒)史典故(gù(🤩) ),穿越时空(🚞)与各种(zhǒng )语(💙)境,重写(xiě(✔) )、改写、乱写,全(quán )面(🔬)毁坏(huài )观(🕙)众的三(🌛)观!这是(shì(🍁) )一部(bù )政(🕹)治复(fù )仇预(📍)言,杂揉讽(♎)刺(cì )喜剧(jù )、生(😧)态(tài )恐怖与公路电影类(lèi )型,写(⛔)下澳洲国(🍚)族神话从未(🅱)被(bèi )纪录(👘)(lù )的史诗(♎)篇章。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
阿(🧚)黛(dài )尔和(🔅)她(tā )的母(mǔ )亲孔查生(🚿)活在城郊(⬇)(jiāo )的一个(gè )贫民(mín )窟(🕖)里。孔查的(🔇)丈夫是(🏁)个可(kě )恶(🗽)的暴徒,他(♏)使母(mǔ )女俩(🛰)长期生(shē(🌂)ng )活在暴力和虐待之(zhī )中。对(duì )此(⛄)忍(rěn )无(🗺)可忍的孔(🛑)查决定(dì(🌏)ng )不顾一(yī )切(🔠)风险,偷走(🔕)一大(dà )笔钱(qián ),并(🎢)带(dài )着女儿阿黛尔逃离(lí )。不(bú(🖼) )幸的是(shì(🚩) ),她们在出逃(🕡)中被(bèi )发(🏞)现(xiàn )了。在(📸)追捕过(💰)程中,孔查(🎬)(chá )却意(yì )外地驾车撞(🚚)死了丈(zhà(♋)ng )夫……这场(chǎng )逃离注(🕰)定是一次(😼)冒(mào )险(😙),而(ér )母女(🚲)(nǚ )俩竭尽(🐝)全力,才能挣(💋)脱一(yī )直(🕧)禁锢她们的牢笼(lóng )。在这段跨(kuà(🚭) )越生命(🍭)的寓言中(😚),力量、困(🐍)难(nán )、爱的(🚜)希望、机(👲)会(huì )和死亡(wáng )如(🌹)影随形。
两个在(zài )丹麦(mài )穷途末(🚒)(mò )路的小(👎)偷古飞宇和(🐨)(hé )贝永(yǒ(🐟)ng )新,为(wéi )了(🚕)还清黑(🎮)帮老大李(🔹)(lǐ )的赌(dǔ )债,本想盗走(🍇)最后一票(🦈)却(què )卷入(rù )了一场古(🚻)堡遗产争(✌)(zhēng )夺战(🕗)中(zhōng ),遇(yù(❔) )到了本以(🛹)为是古堡(bǎ(🦒)o )合法继(jì(🎻) )承人(rén )的莫巧雨。在和莫巧雨一(🎾)(yī )起躲(🗣)避李的过(🈵)程中(zhōng )发(🚃)现了古堡(bǎ(💧)o )背后的秘(👫)密和莫巧(🕹)(qiǎo )雨真(🍲)实(shí )的身(shēn )份。
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
印度每年有超(chā(👧)o )过二万(wà(🥊)n )宗针对女性(📜)的暴力(lì(⚽) )罪案(àn ),平(⛪)均(jun1 )每二(🖼)十二分钟(🤔)就有(yǒu )一名(míng )女性被(🤱)(bèi )强暴,每(🎉)六小时就(jiù )有一(yī )名(🚴)妇女因家(🚒)庭暴力(💙)丧命。年轻(🗿)(qīng )的基层(🍴)女警索妮与(🕒)(yǔ )上司卡(💮)(kǎ )帕纳(nà )在德里一同接手调(dià(🔕)o )查不同(🙄)(tóng )的女(nǚ(🎢) )性暴力事(😱)件,在办案过(🛵)程(chéng )中往(🧚)往遭受到(💱)了重(chó(⏰)ng )大阻力,无(wú )日无之的罪案令她(🎊)(tā )脾气暴(📝)(bào )躁,做事方(👡)式偏离常(🎉)规(guī ),被裁(🍴)(cái )定在(🔹)执勤中行(🚺)为不(bú )当,而私人(rén )生(🏅)活也影响(🧠)到了她(tā )的职(zhí )业表(😩)现(xiàn ),与丈(🧙)夫已经(📱)彼此(cǐ )疏(🏾)离(lí ),却要(👒)被迫面对他(🔽)突然的(de )到(✒)访(fǎng )。印度电影少见的(de )写实题(tí(🤔) )材,以一(🧘)场一镜营(💕)造出(chū )真(🚐)实迫(pò )力,将(😫)社会低下(⏸)层女性受(⛵)到压(yā(🏪) )迫的问题表露无遗(yí )。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
麦昆本想(🈳)(xiǎng )给女友(🤬)来一场创意(🛍)(yì )十足的(🚾)(de )求婚(hūn ),但(🛩)在毫无(〰)预兆的(de )情(🕳)况下(xià )结束了一场轰(🗞)轰烈(liè )烈(🎽)的(de )爱情,结局悲惨而可(💯)笑……在(👿)(zài )经历(🛷)过(guò )失恋(🧡)博物馆中(✨)的种(zhǒng )种“失(😚)败”后,麦昆(😕)放下了,觉得(dé )那段失败的爱情(📼)反(fǎn )而(🍡)激励(lì )了(🍈)自(zì )己,让(⭐)自己学会了(🔻)(le )如何去(qù(🕌) )爱一(yī )个(🚧)人,用什(🍚)么样的方式让(ràng )双方相处,也明(🖲)白(bái )了自(🔕)己该选(xuǎn )择(🍭)去爱一个(🎳)什么样(yà(🛃)ng )的女孩(🥞)(hái )。详情