又到了(🌎)(le )年(🥧)又到了(🌎)(le )年(🥧)末,阿呆和阿(ā )瓜(😧)像(📹)所有人一样(yàng ),开始(shǐ )为(💅)圣(🛤)诞(dàn )节及新年(nián )PARTY做(🌙)准备,但是,作为这个世界(🎨)上(😒)(shàng )动手能(néng )力最强(⛷)(qiáng )的小发明家,怎么能(✉)跟(🥨)普(📊)通人一(yī )样来装扮(🐩)(bàn )自己的(de )院子和(hé )房(✖)子(🚶)呢?于是,两个好朋友(🐓)开(🌖)动(dòng )脑筋,对(duì )自(🧒)己(💔)的(🚟)(de )家展开(kāi )了不一(yī )样(🍉)的(🍥)改造(zào ),当然,他们(🔼)也(🛍)(yě )没有忘记(jì )帮自己(jǐ(🧟) )的(♒)好朋(péng )友选一(yī(🐜) )件(🎱)“最好(hǎo )的礼物”。
Alex, 43 ans, est dépanneur automobile dans le garage que dirige d'une main de fer sa mère. Un jour, il dépanne une jeune femme et passe la nuit chez elle, mais au petit matin elle a disparu lui laissant sur les bras trois enfants.
Tommy DiNello, a freelance videographer, moves back to North Branford Ct. from New York City after two years on his own. His extremely close cousins, Marie and Dom Jr., are reluctantly accepting their father's new young foreign wife Varya, just two years after their mother's death. Since Tommy's parents moved to Florida when he was away, he has no choice but to stay with his Uncle Dominic and cousin Marie while battling memories of the reason he left town in the first place. His dear friend, Angela and him are reunited, This is bittersweet as she is the only one with clear knowledge and witness of his past.
在(🌙)贝(🎊)鲁特一个(gè )街角的(🐇)(de )咖啡店(diàn )二楼,有(yǒu )一面(🐶)大(🚴)大的转角窗和一台(🎽)电视机(jī ),一位(wèi )78岁的(🌛)退(🏕)(tuì(📙) )伍将军和一位81岁的(🍅)退伍军医每天(tiān )早上(🎡)都(🐚)会(huì )在这里(lǐ )碰面,看(🤟)着(🧖)街角车来人(rén )往(🌕),做(👔)着(🏞)填字游(yóu )戏,以此(cǐ )对(🚟)抗(🤯)阿(ā )茨海默(mò )综(🕹)合(⏬)症(zhèng )。伴随两(liǎng )位老人的(🗺)玩(📇)笑和(hé )字谜,咖(kā(🎋) )啡(⛷)馆的(de )顾客纷(fēn )纷登场(chǎ(🥘)ng )。本(👳)片用(yòng )发生在一(👋)个(🦒)社会(huì )小角落16天之内的(🍾)(de )一(🍦)系列(liè )事件,四两拨(〰)千(qiān )斤地讨论了人生(📦)、(🐸)政(🤠)治、历史等(děng )话题(🐔);通过单(dān )场景多幕(🍎)剧(🍴)的结构让人感受到老(⛅)(lǎo )人们的孤(gū )独,以(🗒)(yǐ(🛏) )及(🤚)疾病(bìng )带来的苦涩,同(🈵)(tó(🛴)ng )时映射出黎巴嫩(🏫)(nè(🛌)n )暴力事件(jiàn )肆虐的(de )现状(💐)。以(💘)小见(jiàn )大,令人(ré(💒)n )回(💴)味。
本片讲述(shù )了女主角(📝)(jiǎ(🚦)o )之间的(de )竞技对(duì(💧) )决(🔽)和爱(ài )情纠葛的(de )故事,在(🥜)生(🙃)与死(sǐ )、爱与恨、(🎥)真相(xiàng )与谎言(yán )中她(🚟)们(💺)(men )所(📝)发生的(de )不可思议的(😫)人生转变。
When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch.
子どもに夢(🚋)を(💉)与(yǔ )え、想(xiǎng )像力を(🖐)はぐくむコンテン(🔳)ツ(😘)作(💾)りをめざして、キャ(🎋)ラ(✍)クターアニメー(🆚)シ(😨)ョンを中心にデジタル(🥍)絵(📓)(guì )本やARといった(🎣)ア(♿)プリなどを通(tōng )して、(🔶)エ(🥟)ンタメから知育(😈)(yù(🍜) )まで幅(fú )広く活(huó )動し(🔔)て(🧡)いるスタジオなな(⬇)ほしが、ジャンルやメ(🕓)デ(🐴)ィアを問わず、も(📕)のづくりを手掛ける(🛷)ウ(💘)サギ王と制(zhì )作。どこ(🍾)の家(jiā )にもある縁起(🎒)物(👬)たちと、彼らが動く(📿)さ(🔒)まを見た子ども(🚹)た(🛴)ちとの交流を、躍動感(🏘)い(🍰)っぱいに描いた(🗿)ド(🐓)タバタコメディ!
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.详情